![]() ![]() Depth of field can be extraordinarily thin when shooting macro pictures, and using Live View to see a preview of the final result is a good way to get the photo to show up just how you want. This is incredibly useful when shooting macro photos, because it’s difficult to understand just what is in focus and what is not unless you can see it yourself using Live View. So, if you focus on an object while in Live View, you will see a more accurate representation of the depth of field than looking through the viewfinder. This makes it possible to see precisely what the picture will look like when you press the shutter button. But, when you click over into Live View the aperture blades close down to the value you’ve specified, or that which the camera thinks is appropriate, depending on the shooting mode you are using. ![]() When you look through the viewfinder on a DSLR camera you are seeing through the lens while it is opened to its widest possible value. It really helped to see a preview of the depth of field by using Live View when composing this image. This confusion can be compounded by the fact that your optical viewfinder doesn’t really show you what to expect when you click the shutter button. Some DSLR cameras have a Depth of Field Preview button that allows you to close down the aperture and see what it will look like when you take a photo (it also gets dark if you use a small aperture), but another way to do this is by using Live View. It’s a difficult concept to understand since it involves several different variables, including how close you are to your subject and how far away is the background. When you change the aperture and focal length of your lens, you are also changing the depth of field, or area that is in focus. This one piggybacks pretty well off of the previous item, but I wanted to list it separately because it is so useful on its own. ![]() But using Live View to preview the different sorts of photography effects you can explore, is a great way to try something new and add a little spark back to your creative juices at the same time. Some of the built-in modes are a little cheesier than others, and you usually can’t shoot in RAW format. But, my own personal stance is, if you’re making pictures you enjoy by using simple in-camera effects, then why not keep doing it? Some photographers frown on this type of creative expression, and prefer to leave these effects and scene modes to Photoshop, where things can be endlessly controlled, changed, and tweaked to perfection (often ad nauseam). It’s fun to play around with these built-in effects using Live View, which shows you a preview of what the final image will look like as you compose it. A common camera effect is “miniature,” which mimics a tilt-shift lens. It also has the added bonus of allowing you to play around and see how the options affect your photography before you even click the shutter. Using Live View as you activate various scene modes is a fun way to experiment with different types of creative image effects. Think of them as though you are adding Instagram filters, but in realtime, as you are taking your pictures instead of on your phone afterwards. One fun trick that many DSLR manufacturers have added to their cameras is the ability to do various types of effects like selective coloring, miniature, and black-and-white, among many others. #2 See previews of camera effects in realtime If your subject is not moving, and neither is your camera, this technique is one of the best possible ways to make sure everything is tack sharp precisely how you want it to be ( using manual focus in this instance can be helpful also). Live View can be a good way to make sure your subjects are tack sharp and perfectly focused.Įach camera handles the zoom-in function a bit differently, but for most DSLRs there will be an option in one of the menus to enable a button on your camera to zoom in during Live View, and even set the percentage of zoom which tells you how much it will magnify the image. ![]()
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